&Tradition Flowerpot VP3 Table Lamp
Among the most norm-breaking Danish designs of the 1960s, the iconic form of Verner Panton's Flowerpot is available in a series which now consists of seven different models. The colours are chosen in close collaboration with the Panton family.
Category:
Table lamp
Environment:
Indoor
Dimensions:
H: 50cm/19.7in, Ø: 23cm/9.1in
Weight:
4.5 kg
Voltage:
120V
Light Source:
E26 A19 max 40 Watt
Bulb is not included
Cord Length:
200cm/78.7in
Product Material:
Lacquered metal, brass or stainless steel with 2m clear pvc cord
Production Process:
The two shades are made from spun metal
Colours:
Tangy Pink
Mustard
Vermilion Red
Grey Beige
Cobalt Blue
Swim Blue
Dark Plum
Stone Blue
Signal Green
Chrome-Plated
Brass-Plated
Matt Black
Matt White
Matt Light Grey
Certifications:
CE, IP20, Class II
Manufacturer:
Produced in PRC by Nine United Ltd
Designer:
Verner Panton
Please allow 2-4 weeks for delivery of &Tradition lighting
Current shipping options
1. Free pickup.
2. Free shipping for orders over $150.00 across Canada and the USA. $15.00 flat rate for an order under $150.00.
Pricing
All amounts are in Canadian Dollars.
-Instore pick up is FREE
-Free shipping across Canada and USA for orders at or over $150.00 before tax. $15.00 flat rate fee for orders under $150.00.
-USA shipping rates only apply to the contiguous 48 United States of America, excluding Hawaii and Alaska. To be eligible, the order must total $150 or more after discounts and promo codes. Please contact for shipments to Hawaii or Alaska.
Shipping Times
-Orders are processed and shipped within 1-3 business days.
-Transit time may vary between 2-7 days depending on the location.
Items can be returned for store credit or exchanged within 14 days from the day of purchase. All returns must be accompanied with the original receipt, unopened and in original packaging. No returns or exchanges on sale or discounted items.
Designed By Verner Panton
Verner Panton (1926 – 1998) is known worldwide for his avant-garde work and prolific experimentation with materials, shapes, and most importantly – colour. Throughout his career, he would advocate that colour had both a central meaning and function in design and that it should be used as a tool to highlight dynamic shapes.