&Tradition Topan VP6 Pendant
The Topan pendant, designed in 1959, was Panton's second ever design and his first mass produced lamp - later to be followed by the Flowerpot. A sculptural silhouette that not only provides illumination, Topan also acts as a decorative element either alone or in clusters, and adds targeted atmosphere to interiors.
Category:
Pendant
Environment:
Indoor
Dimensions:
Ø: 21cm/8.3in, H: 19cm/7.5in
Weight:
0.65 kg
Voltage:
220-240V – 50Hz
Light Source:
E27 Max 40 Watt
Bulb is not included. Canopy included
Cord Length:
300cm/118.1in
Product Material:
Lacquered aluminium, 3 meter fabric cord
Production Process:
The shade is spunn into shape from a single piece of aluminium
Colours:
Vermilion Red
Grey Beige
Matt Black
Chrome-Plated
Certifications:
CE, IP20, Class II
Manufacturer:
Produced in Denmark by Teodan
Designer:
Verner Panton
Please allow 2-4 weeks for delivery of &Tradition lighting
Current shipping options
1. Free pickup.
2. Free shipping for orders over $150.00 across Canada and the USA. $15.00 flat rate for an order under $150.00.
Pricing
All amounts are in Canadian Dollars.
-Instore pick up is FREE
-Free shipping across Canada and USA for orders at or over $150.00 before tax. $15.00 flat rate fee for orders under $150.00.
-USA shipping rates only apply to the contiguous 48 United States of America, excluding Hawaii and Alaska. To be eligible, the order must total $150 or more after discounts and promo codes. Please contact for shipments to Hawaii or Alaska.
Shipping Times
-Orders are processed and shipped within 1-3 business days.
-Transit time may vary between 2-7 days depending on the location.
Items can be returned for store credit or exchanged within 14 days from the day of purchase. All returns must be accompanied with the original receipt, unopened and in original packaging. No returns or exchanges on sale or discounted items.
Designed By Verner Panton
Verner Panton (1926 – 1998) is known worldwide for his avant-garde work and prolific experimentation with materials, shapes, and most importantly – colour. Throughout his career, he would advocate that colour had both a central meaning and function in design and that it should be used as a tool to highlight dynamic shapes.